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Wilco at The Pageant in St. Louis

Wilco

Special Guest James Elkington

The Pageant

St. Louis

November 13, 2017

Photos by: Tony Vasquez

Review by: Belinda Vasquez

Photo Gallery: Wilco Gallery

The two-plus hour soldout concert at the Pageant in St. Louis ended with Wilco’s Jeff Tweedy telling the crowd “Be Safe. Don’t get discouraged.” The emotional charged set mostly likely had to do with Tweedy’s first time playing in St. Louis since Bob Tweedy, his father, passed in August.

Tweedy told the crowd of his father, “I know if he was here, he would want me to apologize to the people that are going to have to pay for their own beers tonight. I’m pretty sure he bought all of your beers every time.” The crowd immediately cheered for his dad.

The band notoriously known for their constant touring are wrapping up 2017 with a few more dates before taking most of 2018 off from the road. Both these factors contributed to the special vibe of the night.

The band opened the evening with the song “Cry All Day” from their 2016 release Schmilco. They played a few other tracks from the latest release but for most of the night they mixed material from their 20-year catalog while sprinkling in a few Uncle Tupelo tracks  “New Madrid” and “We’ve Been Had.”

A truly special moment was how quiet the crowd got while the band performed the hauntingly beautiful “Reservations.” They immediately went into “Impossible Germany” which builds as the song progresses to showcase the bands full on guitar lineup with Nels Cline leading the charge with his finger-blistering guitar solo as Jeff Tweedy and Pat Sansone solo over John Stiratt’s bassline sending the crowd into loud approving cheers.

Chicago native Jim Elkington who opened the night with a solo acoustic set joined the band to play on “California Stars.” The band showcased the solo skills of Mikael Jorgensen on keys, Pat Sansone, and Jim on electric guitar.

To close the night the band performed two encores with a request from Tweedy for the crowd to sing along with “Jesus Etc.” Of course, the soldout crowd carried out his request.

Setlist: Cry All Day, I Am Trying to Break Your Heart, Art of Almost, Pickled Ginger, At Least That’s What You Said, If I Ever Was a Child, Misunderstood, Someone to Lose, Handshake Drugs, Via Chicago, Bull Black Nova, Reservations, Impossible Germany, New Madrid, California Stars, I Must Be High, We’ve Been Had, Heavy Frummer, I’m the Man Who Loves You, Hummingbird, The Late Greats

Encore: Random Name Generator, Jesus Etc., Spiders (Kidsmoke)

Second Encore: Casino Queen, Outtasite (Outta Mind) 

 

 

 

OTEIL BURBRIDGE & FRIENDS 11-08-17 Baltimore Soundstage

OTEIL BURBRIDGE & FRIENDS

11-08-17 Baltimore Soundstage

“Music is part math, part technique, and part emotion. The question is why and how is that possible? How does math and physics become infused with intention and emotion?” ~ Oteil Burbridge

Well, this was the end of this relatively fast tour with these amazing musicians. As the show began, I was not so sure that the audience was thinking about math and physics becoming infused with intention and emotion. As the band came onstage and opened up with Oteil’s new title song “Water in the Desert” with Alfreda Gerald belting out the vocals, there was no question that the emotion was quickly set! The band then moved right into the Allman Brothers Band song “Leave My Blues At Home” and the intention was now set! Special guest and Baltimore local Ron Holloway came out on stage and it was immediately apparent that this was going to be an amazing ride down a road filled with exciting twists and turns! It was as if the band was saying “buckle up” because here we go!!! How could this not be an amazing ride with a lineup lead by Oteil Burbridge  on bass and vocals, Melvin Seals on the Hammond B3 and vocals, John Kadlecik on guitar and vocals, Eric Krasno on guitar and vocals, Jay Lane on drums, Alfreda Gerald on vocals, and Weedie Braimah on the percussion.

As we continued down the road, the bus made a turn and now we were waking up to find out that we were the “Eyes of the World”! At this point John K’s guitar work and vocals were just as sweet as can be and Ron’s tasty horn selections really stepped up the emotional end! Right away I noticed the interactions between all of

the members on stage and the intention was now apparent that not only was this going to be an emotional night of music, but more important, this was really going to be fun for everyone involved!

Now I knew, “All Good Things In All Good Time” and it was now just right for the bus to turn left and head into Jerry Garcia’s “Run For The Roses”, and what a turn it was! The band was really tight with Jay Lane really holding down the beat and the interplay between Eric Krasno, John K, and Oteil was just pure fun! After this song ended, Oteil spoke to the audience and said; “This is the last night of our tour, our very first tour, but not the very last!!! Thanks to you guys, we got the message! So Thank You For That!”

The bus then slowed down for a minute for a great rendition of “If I Had The World To

 

Give” with John K and Eric Krasno really shining on their guitar work. Oteil’s vocals on this song were outstanding and emotional. As the crowd came down for the ending of this great tune Oteil then introduced his friends, his “amazing friends!”

Without any warning, the bus turned right and went down this funky little road known as “The Weight”! Melvin Seals on that Hammond B3!!! Oh My God! The pedal was quickly put to the metal and the ride quickly changed! Alfreda was singing and I was transported back to 1969 when Aretha Franklin covered this song! Then Ron Holloway came back on stage and it was if the bus was driving up and down over those bumps that we used to call the whoop-de-doo’s, the ones that I loved and still love today! Now it was as if every player on stage was driving this bus, you know, when your adrenaline is just flooding your body and you just want more and more! Well just when I thought that it couldn’t get any better, the band moved into that classic “Blues Brothers in The Church” feel to bring the set to a close!!! Yes, this was just the first set!

SET 2

In 1967 Erma Franklin (sister of Aretha Franklin) recorded a song written by Jerry Ragovoy and Bert Berns titled “Piece of My Heart” and on November 8, 2017, Alfreda Gerald along with Oteil Burbridge and Friends brought this song back with a

vengeance. What a way to start this ride back up! Twist and turns are now what we expect. Eric Krasno tore up the guitar work while the rest of the band was killing it, every transition was another smile!

So how do you follow up an opener like that? Well

you go to Peter Tosh’s “Stop That Train” and of course with these players you play it a-la Jerry Garcia Band. The road continues with Jimmy Cliff’s “Many Rivers To Cross” featuring those amazing vocals of Alfreda Gerald and Melvin Seals tickling the keys of that Hammond B3. This was a perfect place to segue into “What’s Become of Mary” by John Kadlecik. This song was very reminiscent of some great Jerry Garcia Band songs, driving as well as melodic with lots of interesting musical interludes! This lead us straight to “Grateful Dead Pass” for some really fun Scarlet Begonias with Eric Krasno on vocals and Weedie Braimah’s percussion to just blow you away. WOW! Where are we going next?  The bus turns left and you think that we are getting a version of “I’ll Take You There” but this bus turns again and it’s a really fun version of “Sugaree” with John K on vocals and the all of the people in the audience on back-up vocals. Just when we are settling in on this great groove of “Sugaree” the bus stops to let Alfreda Gerald back on and off we go!!! The bus makes another quick left and the soulful voice of Alfreda Gerald lifts everyone up with “I’ll Take You There” which has the audience singing along in all the right places! Ahhh… then John K takes us back into Sugaree, a really nice transition to end this medley of songs!

To end the set, Oteil tells us that they are going to try to burn the place down… and turn up the heat they do! “Proud Mary”! Nice Closer! They start this song off really slow with Alfreda and the audience singing nice and slow. But then Alfreda reminds us that this song gets fast and the driver of this bus gives it some gas and off we go. The audience is encouraged to participate in raising the energy level by throwing their hands in the air and singing on cue! The energy on stage was taken to another level,  when in the style of the Temptations, Oteil, John, and Eric began dancing in step while playing their guitars. The smiles were infectious and the vibe was just stellar!

The Encore

                As Oteil put it; it was time to give some love back to the “Heavenly Mother”.  Weedie Braimah started us off with a percussion solo on the djembe that made everyone want to move their feet! From here the rest of the musicians joined in for Oteil’s “Unconditional Love” to close the night! What better way to end the evening then with a musical prayer and lots of love!

I have not spoken much about Oteil’s phenomenal bass playing, as Oteil, in his own humble way, orchestrated the path for all of the musicians to shine! Shine they did, and thank you Oteil for your humble spirit and wonderful music.

Back to the beginning of this article. That question that Oteil asks: “Music is part math, part technique, and part emotion. The question is why and how is that possible? How does math and physics become infused with intention and emotion?”

Well I would say that you just gave those of us who were at this show an example of how this is possible! When you add 8 highly talented musicians (this is math) who each bring their own style of playing (this is technique) with the intense emotion of passion (this is emotion filled with intent), and when you understand that Physics makes significant contributions through advances in new technologies that arise from theoretical breakthroughs, then you will have to agree that this night was filled with theoretical breakthroughs! Then and only then will you begin realize “How this is possible”! You see; Infusion is defined as: “the introduction of a new element or quality into something”, and that my friend, is what happened here!

Thank you to all of the musicians, thanks to everyone who came out for without you it just would not happen, and thank you to the Baltimore Soundstage and all of the kind people who helped make this happen!
Peace & Blessings,
Stuart Dahne

WHAT THE PEOPLE HAVE TO SAY

Cliff Tyler: Seeing Ron walk on stage was a great surprise! The guitar interplay between John K and Eric Krasno was worth the price of admission alone. Otiel’s band is tight, full of energy and a true jam band supergroup.

Michael Okun: Lots of energy, great interplay between members, no rehearsal, it seemed to just flow, terrific singer sounded like Aretha maybe.

Laurier Joseph Binet: What a show!!

Cassandra Arnold: The Weight was incredible! The entire audience singing along, the energy and unity was off the charts, so much love in the room!

Will Gibbons: It was amazing to see Krasno and John K playing back and forth all with Oteil holding it together…plus throw Melvin and Jay Lane in the mix? Sheeeeeeet… also the woman on the vocals has given proof angels exist!

Robin Norris Duffy: What an amazing group of talented musicians. Alfreda’s vocals were out of this world, beautiful, soulful, really got the audience going. Oteil was Oteil…his smile is infectious and he was the peacemaker. I could listen to Melvin on keys all night. Ron was a great addition to this supergroup of musicians on stage. John K, Jay, Eric, Weedie, all of them made for a perfect night full of energy, fun, friends and great music. Three times in a week to see Oteil…Fillmore, Soundstage and MSG on Sunday…can never get too much Oteil Burbridge!

Lar Ellison: After listening to a brief video I made last night, Patti LaBelle came to mind! Alfreda’s tone, soft melodies and her POWERFUL Voice were measured on the Richter scale somewhere, with the Reverend Seals on keys… Thought it was Sunday morning in church somewhere!! A treat for sure! Oteil directing traffic, John K. and Eric K. bouncing off one another, Weedie and Jay solid percussion. I so enjoyed Eric Krasno’s “stankface”, the facial expression’s and contortions a musician exhibits while playing, showing the emotion and pure joy that we hear and see as phenomenal music. Then, here comes local Sax man THE RON HOLLOWAY adding a little flavor to the mix !So happy to have experienced this Synergy of musicians!!!

 

 

 

Blues Traveler

Blues Traveler 

30th Anniversary Tour

November 3, 2017

WTTS Presents

Photos by: Tony Vasquez of Vasquez Photography

 

Setlist: Sweet Talking Hippie, The Devil Went Down to Georgia (The Charlie Daniels Band cover), Things Are Looking Up, Bass Jam, You Reach Me, Runaround, Ode From the Aspect, Defense & Desire, Keyboard Jam, Creep (Radiohead cover), But Anyway, The Mountains Win Again (w/Clint Maine of Los Colognes), All Fall Down, Bhageera SG(w/ Jay Rutherford of Los Colognes), What’s for Breakfast, Drums Jam, Hook

Encore: She Becomes My Way, The Devil Went Down to Georgia (reprise)(The Charlie Daniel’s Band)

 

Victor Wooten Trio

Victor Wooten Trio

The Vogue Theatre

Indianapolis, IN

November 2, 2017

Photos by: Tony Vasquez of Vasquez Photography

Greensky Bluegrass – Avondale Brewery – Birmingham, AL – 10/20/2017

10/20/2017 • Avondale Brewing Company • Birmingham, AL
Opening Act(s):Fuition
Encore: Windshield
  1. W/ Take Cover tease
  2. Dedicated to Melissa Bont
  3. W/ Cities quotes
  4. W/ Norwegian Wood tease
  5. W/ Eyes of the World tease
  6. W/ Guido Batista & Luke on Woodblock

(source)

 

Fountain Square Music Festival Day Two

Fountain Square Music Festival

Day Two

Indianapolis, Indiana 

October 7, 2017

Photos by: Tony Vasquez 

 

 

 

 

Fountain Square Music Festival

Fountain Square Music Festival

Indianapolis, Indiana 

October 6, 2017

Photos by: Tony Vasquez 

 

Lockn’ 2017: A Photo Recap

All photos by: Michelle Carroll Stancil

Phil Lesh & Friends, Phil Lesh & The Terrapin Family Band – Performing The 40th Anniversary Of Terrapin Station & More, Widespread Panic, The String Cheese Incident, The Avett Brothers, Gov’t Mule, moe., Umphrey’s McGee, Greensky Bluegrass, Joe Russo’s Almost Dead, Brandi Carlile, Keller Williams, The Revivalists, JJ Grey & Mofro, Keller Williams’ Grateful Gospel, Eric Krasno Band, John Butler Trio, Margo Price, TAUK, Pigeons Playing Ping Pong, Marcus King Band, Los Colognes, The Suffers, Antibalas, Blackberry Smoke, Dirty Dozen Brass Band. Hiss Golden Messenger, Moonalice, The Record Company, Sinkane

MidPoint Music Festival 2017

MidPoint Music Festival 2017

September 23, 2017

Cincinnati, Ohio

Photos by: Tony Vasquez of Vasquez Photography

Entire Gallery: Photo Gallery

 

 

Moon Taxi – Dallas, TX – 9/21/17

Moon Taxi – Dallas, TX – 9/21/17

with Los Coast @ Granada Theater,

This was my second time seeing the tour de force that is a Moon Taxi concert. Formed in 2006 after fellow Alabamians Trevor Terndrup (guitar, vocals) and Tommy Putnam (bass) met Spencer Thompson (guitar), Tyler Ritter (drums), and Wes Bailey (keys) at Belmont University, Moon Taxi has had a successful run in the world of rock n’ roll, having put out four studio albums and May’s single “Two High.” The first time I saw them was at Hangout Fest 2016, unfortunately missing half the show because of the long line to get in, and I was about 60 yards away from the stage. As good as that was, this was a much better show for me.

In all my time in Dallas, I had yet to go to Granada Theater, and it’s really a shame. The venue is a comfortable and quaint  theater renovated from and old movie theater. It’s large enough to hold a sizeable crowd but small enough to give everyone in attendance an intimate experience. The staff was friendly and relaxed, and overall I would say this is one of the best places to see a show in Dallas.

Los Coast, a quintet from Austin, TX, opened the show on that Thursday night. I had not heard of the band before then but hope to hear much more from them in the future. They have an upbeat, bluesy style of rock that plays perfectly in the heart of Texas. The band is led by Trey Privott, who has such a big voice for a man with a small frame. I mean, my Lord that guy can wail. He hopped around the stage barefoot, hitting every soulful note to fill the hall with smooth and joyful noise. I always love being overwhelmed by a great opening act, and Los Coast definitely knocked this out of the park. Keep an eye out for these guys because they won’t be just opening for other bands long.

After the end of that jazzy performance the stage was set for the main act. I was in the very first row, just to the left of center, a perfect spot. The crowd was very enthusiastic and friendly – you could tell that nobody was trying to ruin anyone else’s fun. The guys soon came out, blasting “Mercury” from their first album Cabaret. It’s hard to pick out highlights of the concertbecause it just kept getting better and better. Their music has a sunny yet eerie (not in a bad, scary way) quality to it that pulls you in and holds you under. It’s hard to compare them to any other band, because they’re really they’re own thing, which is awesome. I would say my favorite part was when Trevor Terndrup came to the edge of the stage right in front of me. He stepped on my fingers, which were on the stage, and looked down seeming very sorry about it. That’s definitely the first time I’ve been happy and proud that someone stepped on me. I made eye contact with Trevor and Tommy a couple times, they seemed to like that I was very into the music, and I feel like we definitely made a connection. I thoroughly enjoyed every song they played; it’s really hard to find a bad song by them. I ended up with a drum stick from Los Coast and a set list from Moon Taxi, so I would say this was a pretty successful show. If you ever have a chance to see either of these guys, don’t miss it.

Set list:

Mercury, Change, Make Your Mind Up, Who’s to Say, Suspicious, Sweet Dreams (by Eurythmics), Year Zero, Young Journey, Gunflower, Morocco, Run Right Back, Imagine (by John Lennon), River Water, Hotel California (by the Eagles),Moving to the City -> Drum solo, Two High, Red Hot Lights

Encore: White Room (by Cream) intro – > All Day All Night

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