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Peach Pit

Peach Pit, Briston Maroney, & Bnny
Long Hair Long Life Tour Everwise Amphitheater at White River State Park
Indianapolis, Indiana
May 26, 2025
Photos by Tony Vasquez

Peach Pit Setlist: War Pigs/ Magpie (Black Sabbath cover), Drop the Guillotine, Black Licorice, Up Granville, Give Up Baby Go, Outta Here, Did You Love Somebody, Being So Normal, Alrighty Aphrodite, Shampoo Bottles, Private Presley, Peach Pit, Tommy’s Party

Photo Galleries: Peach Pit – Briston Maroney – Bnny

Peach Pit at the Everwise Amphitheater at White River State Park in Indianapolis, Indiana on May 26, 2025. Photo by Tony Vasquez for Jams Plus Media.

Briston Maroney at the Everwise Amphitheater at White River State Park in Indianapolis, Indiana on May 26, 2025. Photo by Tony Vasquez for Jams Plus Media.

Bnny at the Everwise Amphitheater at White River State Park in Indianapolis, Indiana on May 26, 2025. Photo by Tony Vasquez for Jams Plus Media.

Where the Jam Meets the Sky: A Cosmic Evening with Cheese in Brown County

May 23, 2025 – Brown County Music Center

The drive into Nashville, Indiana, still cuts like a lost verse from a cosmic country song—lush green hills folding into twilight, the kind of scene that makes you believe in ley lines and moonlit fiddle duels. On Friday night, The String Cheese Incident pulled their traveling caravan of jam-funk into the Brown County Music Center, and from the first note to the last echo, it was a music escape for the next few hours.

The venue was packed with tie-dyed pilgrims, weathered road veterans, and seasoned Cheeseheads. The band opened with “Eventually,” a slow burn stretching like a lazy sunrise over Monroe Lake. Kyle Hollingsworth’s keys shimmered like bottle rockets popping over pine trees while Bill Nershi’s guitar slinked in with that folksy warmth only he could summon. “Little Hands” followed, and it hit with the nostalgic thud of a letter from the past, reminding everyone why they first followed this band into the deep end.

The first set twisted through “Bhangra Saanj” with a joyous groove that summoned hips into motion. But the run from “Eye Know Why” into “Colorado Bluebird Sky” really lit the fuse—guitars wailing into orbit, percussion cascading like a waterfall made of drumsticks and sweat. When they finally took a breath, the crowd roared.

Set two was a rocket ship wrapped in a fiddle string. SCI cracked into “Can’t Wait Another Day” with the kind of radiant energy that made the walls melt a little, then slalomed into “Get Tight” before hurling the entire room headfirst into the Allman Brothers’ “Jessica.” For the encore, the boys returned with “Hi Ho No Show,” a zany, synth-bubbled stomp that felt like a punchline delivered from outer space. It was pure SCI weirdness wrapped in a grin.

When the lights finally came up, the crowd stumbled into the May night with that dazed, elated look only true believers wear. For one magical night in Brown County, The String Cheese Incident reminded us that the jam is still holy, the groove eternal, and the Cheese… oh, the Cheese is still very much alive.

Setlist:

Set One: Eventually, Little Hands, Bhangra Saanj, Tore Up Over You, Manga, Eye Know Why, Colorado Bluebird Sky

Set Two: Can’t Wait Another Day, Get Tight, Jessica, Indian Creek, The Way That it Goes, Johnny Cash, Impressions, Drums, Rollover

Encore: Hi Ho No Show

String Cheese Incident Photo Gallery

Bill Nershi of The String Cheese Incident at the Brown County Music Center in May 23, 2025. Photo by Tony Vasquez

Michael Kang of The String Cheese Incident at the Brown County Music Center in May 23, 2025. Photo by Tony Vasquez

The String Cheese Incident at the Brown County Music Center in May 23, 2025. Photo by Tony Vasquez

Keith Moseley of The String Cheese Incident at the Brown County Music Center in May 23, 2025. Photo by Tony Vasquez

Jason Hann of The String Cheese Incident at the Brown County Music Center in May 23, 2025. Photo by Tony Vasquez

Kyle Hollingsworth of The String Cheese Incident at the Brown County Music Center in May 23, 2025. Photo by Tony Vasquez

Michael Travis of The String Cheese Incident at the Brown County Music Center in May 23, 2025. Photo by Tony Vasquez

An Evening with Wilco Lights Up Louisville

Wilco

Iroquois Amphitheater

Louisville, Kentucky

An Evening With Wilco Tour

Photo Gallery: Wilco

Saturday night in Louisville felt like a perfect evening, with cool breezes and the unmistakable energy of a crowd eager to be wrapped in Wilco’s sonic embrace. At the historic Iroquois Amphitheater, the beloved Chicago-based band delivered a two-set performance that was equal parts reflective and electric, marking their final stop before heading abroad.

Frontman Jeff Tweedy was in high spirits throughout the night. His laid-back charisma anchored a band firing on all cylinders—seasoned, sharp, and deeply connected to its material. From the opening pulse of “Spiders (Kidsmoke)” to the encore finale of “Outtasite (Outta Mind),” the evening was a carefully crafted journey through the band’s ever-evolving catalog.

Guitarist Nels Cline stole multiple moments with his trademark shredding, most notably during a breathtaking version of “Impossible Germany” with the crowd erupting mid-solo. Mikael Jorgensen added subtle textures on keys all night, enriching songs like “Many Worlds” and “Quiet Amplifier” with ambient layers. Longtime bassist John Stirratt was the steady heartbeat of the group, while Pat Sansone broke out with scorching guitar solos during the second set, most notably on “Bird Without a Tail/Base of My Skull.”

Louisville gave Wilco a warm send-off before they take a brief pause and gear up for tour legs in South America and the UK later this month. They will eventually return to U.S. stages in the fall.

In a three-decade career, Wilco still makes every performance feel like a special occasion—and on this particular night, under the stars in Kentucky, it absolutely was.

Setlist – Iroquois Amphitheater, Louisville, KY

Set One:

Spiders (Kidsmoke), Wishful Thinking, Evicted, Handshake Drugs, If I Ever Was a Child, Meant to Be, I Am Trying to Break Your Heart, Many Worlds, Say You Miss Me, Forget the Flowers, Cruel Country, Quiet Amplifier, Sunken Treasure, War on War, Via Chicago, Either Way, The Late Greats

Set Two:

At Least That’s What You Said, Hummingbird, Cold Slope, King of You, Bird Without a Tail / Base of My Skull, Box Full of Letters, Annihilation, Side With the Seeds, Jesus, Etc., Impossible Germany, Theologians, I’m the Man Who Loves You

Encore:

California Stars, Falling Apart (Right Now), Walken, I Got You (At the End of the Century), Outtasite (Outta Mind)

Jeff Tweedy of Wilco at the Iroquois Amphitheater in Louisville, Kentucky on May 17, 2025. Photo by Tony Vasquez

Wilco at the Iroquois Amphitheater in Louisville, Kentucky on May 17, 2025. Photo by Tony Vasquez

John Stirratt of Wilco at the Iroquois Amphitheater in Louisville, Kentucky on May 17, 2025. Photo by Tony Vasquez

Nels Cline of Wilco at the Iroquois Amphitheater in Louisville, Kentucky on May 17, 2025. Photo by Tony Vasquez

Glenn Kotche of Wilco at the Iroquois Amphitheater in Louisville, Kentucky on May 17, 2025. Photo by Tony Vasquez

Mikael Jorgensen of Wilco at the Iroquois Amphitheater in Louisville, Kentucky on May 17, 2025. Photo by Tony Vasquez

Pat Sansone of Wilco at the Iroquois Amphitheater in Louisville, Kentucky on May 17, 2025. Photo by Tony Vasquez

A Grand Finale in the Key of Saint Motel

It was a colorful sendoff for Saint Motel as they brought The Symphony in the Sky Tour to a triumphant close on Thursday night at the Egyptian Room at Old National Centre in Indianapolis. Known for their genre-blending sound that fuses indie pop, funk rock, and cinematic flair, the Los Angeles-based quartet gave fans a night filled with a whirlwind of energy, theatrics, and a symphonic twist.

Opening the night was rising Chicago band Brigitte Calls Me Baby, whose nostalgic yet fresh take on ’50s crooner vocals mixed with modern indie tones set the perfect mood for the evening. Their rich sound and charismatic presence warmed up the crowd.

When Saint Motel took the stage, it was clear this was more than just another stop—it was the finale, and they were here to celebrate. A.J. Jackson, the band’s frontman and multi-instrumentalist, led the charge with theatrical flair, his voice soaring across a crowd ready to sing along. Guitarist Aaron Sharp, bassist Dak Lerdamornpong, and drummer Greg Erwin brought the tight musicianship and playful showmanship that fans expect from the band.

The setlist spanned the band’s catalog and highlighted their love of blending musical eras. With this show marking the tour’s final performance, there was a celebratory air. Saint Motel may have wrapped up The Symphony in the Sky Tour, but left Indianapolis floating on a musical high.

Setlist:Puzzle PiecesA Fifth of BeethovenFor EliseGet It at HomeSistersLife’s a GasA Good Song Never DiesHold My Place in HeavenMoveIt’s All HappeningFine WineSteady HandCold Cold ManA Bluer BlueSweet TalkVan HornMy Type

Saint Motel Photo Gallery

Brigitte Calls Me Baby Photo Gallery

Photos by Tony Vasquez

Saint Motel in the Egyptian Room at the Old National Centre in Indianapolis, IN on May 15, 2025. Photo by Tony Vasquez for Jams Plus Media.

Brigitte Calls Me Baby in the Egyptian Room at the Old National Centre in Indianapolis, IN on May 15, 2025. Photo by Tony Vasquez for Jams Plus Media.

Ivan Cornejo

Mirada Tour with special guest Julio Caesar
Everwise Amphitheater at White River State Park
Indianapolis, Indiana
May 1, 2025 Photos by Tony Vasquez Photo Gallery: https://jamsplus.smugmug.com/TonyVasquezPhotography/Ivan-Cornejo-

Setlist: Atencion, Sale Para Ser Feliz, Llamadas Perdidas, Me Hiciste un Loco, Intercambio Injusto, Esta Danado, Perro Abandonado, Vuelve, Tatuajes, Esta Danada, Hasta la muerte, La Ultima Vez, J., Mirada, Ya te Perdo, Me Prometi, Baby Please, Donde Estas, Aqui te Espero, La Curiosidad

Ivan Cornejo at the Everwise Amphitheater in Indianapolis, Indiana, on May 1, 2025. Photo by Tony Vasquez for Jams Plus Media

Julio Caesar opening for Ivan Cornejo at the Everwise Amphitheater in Indianapolis, Indiana, on May 1, 2025. Photo by Tony Vasquez for Jams Plus Media

My Morning Jacket rocks a sold-out Palace Theatre

Saturday night in Louisville, My Morning Jacket lit up the historic Louisville Palace Theatre for the second night of their five-show hometown residency in support of their new album Is. With a sold-out crowd of 2,800 fans packed into the ornate, Spanish Baroque-styled venue where legends like Bob Dylan, Prince, Bob Weir, and others have all graced the stage, Jim James and company made it clear they are on absolute fire right now.

The night started with local neo-psychedelic rockers The Future Killers, who set a perfect tone for musical transcendence. The Palace’s vaulted ceiling, complete with 139 sculpted faces of historical figures and an imitation nighttime sky, was a magical setting for the evening of music.

Jacket opening with “Beginning From the Ending” off Is, the band immediately captured the room’s energy and never let go. A blend of new material, deep cuts, and jaw-dropping covers followed. Highlights included their take on Prince’s “I Could Never Take the Place of Your Man”—played for the first time since 2016. Fitting for a Saturday night in Louisville, the band tore through Bob Weir’s “One More Saturday Night.” Then, during the encore, Jacket performed an electric cover of Pet Shop Boys’ “West End Girls” that had the entire crowd moving.

Midway through the set during “Lemme Know,” the unexpected happened as the band’s sound cut out. But rather than deflating the momentum, the moment turned into something unforgettable. Fans instinctively took over, singing as Jim James stepped forward to lead a moving rendition of “Bermuda Highway.” As the last notes echoed, the sound roared back to life, fueling the finish to the night that included thunderous versions of “Wordless Chorus,” “Highly Suspicious,” and more.

Jim James channeled every ounce of his energy straight into the music, forging a connection with the crowd that was palpable from the front row to the back balcony. It became an experience of shared catharsis, celebration, and pure sonic joy.

With two unforgettable nights now in the books, the excitement only builds for what’s in store for Sunday night’s setlist.

Setlist:

Beginning From the Ending
Touch Me I’m Going to Scream Pt. 1
Anytime
I Could Never Take the Place of Your Man (Prince cover)
Never in the Real World
The Bear (new lyrics for second verse)
The Dark
Penny for Your Thoughts
Lay Low
Dondante
Knot Comes Loose
Lemme Know (the crowd sang during a power outage)
Bermuda Highway
Circuital
Run Thru
Run It > Run Thru
Honest Man
One More Saturday Night (Bob Weir cover)

Encore:
Hopefully
Highly Suspicious
West End Girls (Pet Shop Boys cover)
Wordless Chorus

My Morning Jacket Photo Gallery

Interior shot of the Palace Theatre in Louisville, Kentucky, on April 26, 2025. Photo by Tony Vasquez for Jams Plus Media.

Night two of the sold-out My Morning Jacket’s five-night run at the Palace Theatre in Louisville, Kentucky, on April 26, 2025. Photo by Tony Vasquez for Jams Plus Media.

Future Killer opened for My Morning Jacket at the Palace Theatre in Louisville, Kentucky, on April 26, 2025. Photo by Tony Vasquez for Jams Plus Media.

Sawyer Hill

Indianapolis, IN April 15, 2025

Sawyer Hill with The Criticals

Photo Gallery: Sawyer Hill

Photo Gallery: The Criticals

Sawyer Hill in the Deluxe at Old National Centre in Indianapolis, Indiana. (Photo by Tony Vasquez/ Jams Plus Media)

The Criticals opening for Sawyer Hill the Deluxe at Old National Centre in Indianapolis, Indiana. (Photo by Tony Vasquez/ Jams Plus Media)

Neon Moon Shines Bright: Brooks & Dunn Light Up a Rainy Night at Gainbridge Fieldhouse

Indianapolis, IN April 3, 2025

On a rainy Thursday night, the Gainbridge Fieldhouse in Indianapolis hosted Brooks & Dunn’s Neon Moon Tour, delivering an evening of classic country music. Despite the inclement weather, the performances were nothing short of spectacular.

The night began with Molly Tuttle, whose exceptional guitar skills and heartfelt vocals captivated the audience. Her performance seamlessly blended traditional and contemporary country sounds. Following Tuttle, David Lee Murphy took the stage, bringing his energy and charisma.

Brooks & Dunn emerged, launching into their set with “Brand New Man,” instantly igniting the crowd. The duo’s chemistry was palpable, their harmonies as tight as ever. They continued with “My Next Broken Heart” and “She’s Not the Cheatin’ Kind,” showcasing their extensive catalog of hits. The evening’s setlist was a journey through their illustrious career, featuring songs like “Ain’t Nothing ‘Bout You,” “Red Dirt Road,” and “Neon Moon.” Each performance was met with enthusiasm, and the audience sang along. The encore, comprising “Boot Scootin’ Boogie” and “Only in America,” left the crowd exhilarated, capping off a night.

Setlist: Brand New Man, My Next Broken Heart, She’s Not the Cheatin’ Kind, Mama Don’t Get Dressed Up for Nothing, We’ll Burn That Bridge, You’re Gonna Miss Me When I’m Gone, Ain’t Nothing ‘Bout You, Red Dirt Road, Lost and Found, I’ll Never Forgive My Heart, Hard Workin’ Man, Play Something Country, She Likes to Get Out of Town, Neon Moon, Rock My World (Little Country Girl)

Encore: Boot Scootin’ Boogie, Only in America

Photo Gallery

Brooks & Dunn Tour at Gainbridge Fieldhouse on April 3, 2025. Photo by Tony Vasquez for Jams Plus Media

A Blues-Fueled Night with ZZ Ward and Liam St. John at The Tobias Theater

Blues fans were in for a treat as ZZ Ward and Liam St. John brought a night of raw energy to The Tobias Theater at Newfields. Liam St. John started the show with an electrifying set. With Christian Starrett on guitar and Luca Chiappara on double bass, St. John’s dynamic stage presence hooked the crowd. ZZ Ward, fresh off the release of her fourth studio album, Liberation, delivered a blues-infused performance. Ward embraced her blues roots, sharing stories of her musical journey. Her vocals, guitar, and harmonica work shone with a stellar band featuring Preston Hayden, Debetrice Everett, and Rohan Arora. Ward proved why she’s a modern torchbearer of the blues.

Setlists

Liam St. John

Everloving Eloise, San Quentin Infirmary Blues, Forefathers, Eastham Prison Farm Blues, The Devil in Disguise, Little White Lies, Toxic, Greyhound Bus Blues, Dipped In Bleach

ZZ Ward

My Baby Left Me (Arthur “Big Boy” Crudup cover), Dust My Broom (Elmore James cover), Let It Burn, Liberation, I Have No One, Mother, Cannonball, Love Alive, If I Could Be Her, Bag of Bones, Charlie Ain’t Home, Grinning in Your Face (Son House cover), Sinner’s Prayer (Ray Charles & B.B. King cover), Lil’ Darlin, Lioness, Sex & Stardust, Ride, Put the Gun Down, Cadillac Man (The Jesters cover)

Encore: Naked In The Jungle, Criminal, Move Like U Stole

Photo Gallery: Liam St. John ZZ Ward

ZZ Ward at The Tobias Theater at Newfields, presented by Forty5 on March 25, 2025. Photo by Tony Vasquez

Liam St. John opening for ZZ Ward at The Tobias Theater at Newfields, presented by Forty5 on March 25, 2025. Photo by Tony Vasquez

Suzanne Vega Mesmerizes Indianapolis with Stories and Songs

Tobias Theater | Indianapolis, IN
Old Songs, New Songs, and Other Songs 2025 Tour

Suzanne Vega wrapped up her Old Songs, New Songs, and Other Songs tour on Monday night at the intimate Tobias Theater at Newfields in Indianapolis. The stripped-down stage setup—just two microphones, an electric and acoustic guitar, cello, and a handful of pedals—set the tone for an evening of music and storytelling.

Joined by guitarist Gerry Leonard and later cellist Stephanie Winters, Vega delivered a setlist spanning her career, blending folk, pop, and spoken-word elements. She captivated the audience with stories between songs, making the concert feel like a live episode of VH1 Storytellers. One particularly amusing tale involved a summer camp romance that inspired Gypsy and later In Liverpool, culminating in a surprise reunion decades later.

The show’s emotional weight deepened with Rock in His Pocket (Song of David) and Last Train from Mariupol, reflecting on themes of resilience and war. The set took a nostalgic turn with Left of Center from the Pretty in Pink soundtrack before Vega closed with her biggest hits—Luka and Tom’s Diner. The encore featured a moving cover of Lou Reed’s Walk on the Wild Side, the new song Rats, and Galway, wrapping up an unforgettable night.

Vega’s voice remained as pure and emotive as ever, effortlessly weaving between somber and assertive tones. With Leonard’s masterful guitar work adding depth and texture, the evening was a reminder of the timeless power of storytelling through song.

Setlist: Marlene on the Wall, 99.9 F°, Caramel (preceded by introduction of guitarist Gerry Leonard), Small Blue Thing, Gypsy (preceded by Leonard Cohen story), In Liverpool (preceded by introduction of cellist Stephanie Winters), The Queen and the Soldier, Chambermaid (preceded by Bob Dylan story), Flying with Angels, Speakers’ Corner, Left of Center, I Never Wear White, Some Journey, Luka, Tom’s Diner Encore: Walk on the Wild Side (Lou Reed cover) (preceded by NYC and Lou Reed story), Rats (preceded by NYC and the Ramones story), Galway

Photo Gallery: Suzanne Vega

Photos by Tony Vasquez