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I can hardly express how much I loved this year’s Dark Star Jubilee, hosted at Legend Valley in Thornville, Ohio on May 24, 25, and 26th. It was a beautiful weekend of perfect weather, feel good music, and the best group of people in the world. This was a smaller festival, I can’t imagine there were over three thousand people in attendance, but a small festival like this is always something special. The music never overlaps, and also never stops at Legend Valley.  The stages are set in the bottom of a naturally formed bowl. There is a large stage decorated with the most elaborate tie-dyes you can imagine, and right next to it is the smaller stage.               

Friday started out with one of my favorite bluegrass bands, Greensky Bluegrass. They are a collection of five string players, each with a ton of personality; they were a great way to open this festival.  Friday’s line up was a bit light, giving everyone time to settle in and set up camp; music didn’t start until six in the evening. After Greensky Bluegrass, The Ark Band took the smaller stage. This stage was decorated with beautiful tie-dyes from Prismatic Fabric Tie-dye and Batik, a vendor featured at the festival. The Ark Band is led by guitarist Mark Hunter, who has a very impressive set of dreadlocks, and a great reggae voice. They laid down some great reggae beats as Dark Star Orchestra got ready for their first performance of the night. 

For Dark Star Orchestra’s (DSO) first set of the weekend, it got a bit cold. Everyone migrated to the stage area wrapped in blankets and settled in for a three and a half hour set. This set was from 1971, and featured many of the Grateful Dead’s most recognizable songs like “Eyes of the World” and “Uncle John’s Band.” This set list was a great way to open up a weekend of nostalgic jams, and stories of Grateful Dead tour days told around the fire late at night.               

One of the highlights of the night, for me, was the Mickey Hart Band. This is a project of Mickey Hart, one of the original drummers from the Grateful Dead. Mickey Hart took us on a transient journey, that echoed through the valley and was perfect foreshadowing for the awesome drum solos and trance music that would light the valley up this weekend.               

I woke up Saturday morning to a beautiful day. The sky was that perfect color of blue, and the clouds were the type you could sit and watch for hours. I couldn’t have picked a more perfect day to spend outside if I tried.  The music started earlier and featured some laid back, waking up bands. DSO’s tour manager Matt Reynolds got his own set followed by Bigear and David Gans. This was a perfect afternoon to cook at the campsite, wander around meeting people, and look at vendors on Shakedown Street, with some great, chill tunes in the background.               

In my opinion one of the bands to see on Saturday was the Yonder Mountain String Band. The set started off with the sun setting in the background and a full moon rising to the other side, which would end up being partially eclipsed throughout the night. This up-tempo, bluegrass band is a Midwest favorite. As the banjo and string bass echoed through the valley, it was hard for anyone to keep their feet still as everyone geared up for a marathon, late night DSO set.               

Dark Star Orchestra took the stage at 10:30 p.m. for a four hour late night set. The moon was full, the air was crisp, and you could feel the anticipation in the crowd.  This original set list was quite possibly one of the greatest DSO shows I have ever witnessed. They opened with a jam that was four songs long: “Help on the way”> “Slipknot” > “Feel Like a Stranger” > “Franklin’s Tower” featuring Donna Jean Godchaux, the original female voice from the Grateful Dead. In my opinion, DSO is a great interpretation of what the Grateful Dead would be doing today, if they were all still alive and well.  They embrace the original techniques, but also add a unique point of view that is purely their own.  Second set started off with one of my favorite songs “Box of Rain,” and ended up being a set I will never forget. The “Drums>Space” during this set was absolutely spine chilling. As the leads of DSO left the stage and left us in the hands of their amazing percussionists, Dino English and Rob Koritz, any sort of structure began to fade away, as you became a slave to the drum beats. As things disintegrated, slowly the drumbeats turned into vibrations that resonated through the entire valley. The earth below us echoed with the sounds of electronic drums and an amped bassoon. The crowd stopped moving and stood feeling the vibrations of the hills around them; the earth and landscape around us became the concert stage. It was one of the most amazing moments I have witnessed. As the other members slowly took the stage the crowd was pulled out of this vibrational trance, and we were welcomed back to reality with “Not Fade Away." The dancing resumed with the night being closed with “Midnight Moonlight,” a perfect tune for the beautiful full moon eclipse we had been witnessing all night.               

Sunday Morning was another equally beautiful morning. We enjoyed some wonderful breakfast burritos from the food vendors and an energetic morning show with the African Showboyz. The afternoon was packed with great bands like JGB & Melvin Seals, Rumpke Mountain Boys and The Wailers, Bob Marley’s original band. The eclectic Pimps of Joytime took the smaller stage while DSO prepared for their closing set. The Pimps of Joytime have a great stage presence and a diverse sound that’s easy to love and easy to dance to.               

DSO took the stage for the last time of the festival. Sunday was the warmest of nights and drew the largest crowd down from the hills. This was another Dark Star Orchestra original set list, once again featuring an amazing “drums to space” in the second set. The first set was opened with “St. Stephen” and closed with the energetic song “Goin’ Down the Road Feelin’ Bad.” After an extended set break, DSO took the stage for a second set packed with some Grateful Dead hits like “Dancin’ in the Streets” and “Dark Star,” the song which Dark Star Orchestra obviously named themselves after. They closed in a familiar way, much as they did last year in the rain, and in classic Grateful Dead style with “And we Bid you Goodnight.” Everywhere in the crowd friends stood together arms around each other singing along and celebrating the wonderful festival that could never again be recreated.               

Overall, this is a festival I wouldn’t miss for the world. I went in the rain last year and had such an amazing time that I had to come back again. This year was nothing short of magical. This festival is a great place to bring all of your friends and family. Everyone is warm and respectful, even the security team. There are no long lines or crowds so large you can’t see the stage. You don’t have to choose one band over another, because respectfully, the music never overlaps. I would like to end with a quote from the schedule everyone received which was written by Dark Star Orchestra. “This weekend before us is one that we anticipate all year long and with your help we aspire to create a harmonious, peace loving, intimate setting where everyone can experience one’s own individual freedoms while at the same time enjoying the communal spirit of the whole.”

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Written and Photos By: Cassidy Maley

Edited By: Rosemary A.W. Roberts

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